Bauhaus – Press The Eject And Give Me The Tape

Released in 1982, Press The Eject And Give Me The Tape captures Bauhaus in their rawest and most electrifying form. Compiling live recordings from shows in London, Liverpool, and Paris, the album distills the visceral energy and theatrical intensity that defined Bauhaus’s live performances. With standout renditions of tracks like “In the Flat Field,” “Dark Entries,” and their signature anthem “Bela Lugosi’s Dead,” the band’s gothic atmosphere is heightened in a way that transcends their studio work.

Critics and fans alike have praised the album for its unfiltered sound and emotionally charged delivery. The performances are gritty, urgent, and often more dynamic than their studio counterparts, offering new dimensions to familiar songs. The inclusion of covers like “Waiting for the Man” and “Rosegarden Funeral of Sores” further cements the band’s post-punk roots and experimental spirit. Press The Eject And Give Me The Tape is a powerful document of Bauhaus at their peak—dark, intense, and unforgettable.

Reviews

"Press The Eject And Give Me The Tape captures the essence of Bauhaus's live performances, offering a raw and unfiltered glimpse into their gothic rock mastery." — AllMusic

"This live album is a time capsule of a critical moment in rock history, showcasing Bauhaus at their most vital and united." — Freq

"The album features a striking version of John Cale’s 'Rosegarden Funeral Of Sores' and a particularly spooky run-through of 'Hollow Hills' that out-creeps the studio version." — The Arkive

"Press The Eject And Give Me The Tape is on my Top 3 Live Albums Ever list." — Discogs